Documenting work — what to photograph, when, and what to file
12 March 2026

Documenting work — what to photograph, when, and what to file

Three photographs per piece, taken on the same day, stored in two places. The unglamorous archive that protects the artist.

Every finished piece should be photographed three ways before it leaves the studio: a head-on at native resolution under daylight (for the certificate), a 45-degree raking light shot (for condition baseline), and a verso shot of any signature, edition number or studio stamp.

Store those three files in two physical locations — a studio drive and an off-site backup. We have seen artists lose ten years of provenance documentation in a single water leak.

Share this post

Share this story